Small objects, considered spaces.

Small objects, considered spaces.

A shaped candle spends most of its life unlit. A few places ours earn their keep either way.

A sculptural candle spends most of its life unlit. It is study in placement.

let one piece stand alone

Some pieces are objects first.
A candle with a distinctive silhouette often needs very little around it. Give it a clear stretch of shelf, a suitable tray on a sideboard or a place on a mantelpiece where its outline can be appreciated.

Leave some space on either side. That pause allows the form to become visible, especially against a simple background. The Shell


work with height difference 

When placing two or three candles together, vary their height or volume. A taller pillar can sit beside a shorter, fuller shape; a curved form can soften the upright lines of its neighbour.
Avoid arranging everything into a rigid row. A slight shift forwards or backwards introduces depth and makes the grouping feel more natural.

The Totem is the tallest we make, at 30cm. Stand it behind The Thistle and The Roman Pillar, not between them.


give a shelf some character

A shelf does not need to be filled from end to end. Place a candle beside a small stack of books or a favourite object, then leave an open area nearby.
Step back and look at the whole arrangement. If several pieces compete for your attention, remove one and see how the balance changes.

pair tapers with candleholders

A taper and its holder create a silhouette together. A slender candle brings height to a low ceramic base, while a brass or sculptural holder can give a simple taper a more distinctive presence. Twisted Taper
Place them together on a sideboard or space them along a dining table, leaving room for each shape to be seen.
Always use a candleholder designed for tapers, with a secure, upright fit and a stable, heat-resistant base.

give a shelf some character

A shelf does not need to be filled from end to end. Place a candle beside a small stack of books or a favourite object, then leave an open area nearby.
Step back and look at the whole arrangement. If several pieces compete for your attention, remove one and see how the balance changes.

bring composition to the table

At dinner, keep arrangements low enough for conversation across the table. Unscented candles allow the food to lead, while a restrained palette can bring together linen, glassware and ceramics.


BEFORE THE FIRS EVENING
A shaped candle melts unevenly, so it wants a dish under it. The first burn decides how every burn after it goes. Both are two minutes of reading on our care page, and worth it